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home artists museums periods schools library books events featured impressionism by pool, phoebe; 1985 studies in impressionism by rewald, john ; 1986 cézanne by mason, antony cezanne, the early years, 1859-1872 by gowing, lawrence ; 1988 jul 1–sep 30, 2018 the art institute of chicago john singer sargent and chicago's gilded age chicago jul 3–oct 7, 2018 the met breuer obsession: nudes by klimt, schiele, and picasso new york jul 7–sep 30, 2018 the art institute of chicago , the yoshida family: three generations of japanese... chicago jul 17–nov 12, 2018 the met fifth avenue , devotion to drawing: the karen b. cohen collection... new york jul 22, 2018–feb 24, 2019 moma , constantin brancusi sculpture, new york first impressions in the 1860s increasing numbers of artists, influenced by the barbizon school, took their paints and canvases out into the french countyside. painters including the dutchman jongkind and boudin from honfleur set up their easels on the popular beaches of normandy. the slightest hint of a brushstroke and confluences of colours created atmospheric impressions. boudin varied his beach scenes with distinct moods arising from the morning or evening sun. above all, the ever -changings effects of light and colour on the water became a challenge that was eagerly met. boudin’s student monet titled an 1874 view of the harbour at le haver impression, sunrise. henceforth, one critic began to mock the group of artists with whim monet exhibited - and who , like monet , were excluded from the salon – as “impressionists.” while the painters who were part of the salon judged a picture’s value by its motif, for the impressionists , the picture’s colours and their relationship to each other were of supreme importance .the colour of objects can thus lose significance and fall victim to the general atmospheric impression. the application of colour in recognizable brushstroke shatters the outlines of objects, allowing them to melt into their surroundings, as if illuminated by a shimmering light. shadows are no linger simpy darkness, but rather patches of blended colour. claude monet , impression, soleil levant, 1872, oil on canvas , 48 × 63 cm, musée marmottan monet artists museums periods schools library about contact sitemap

URL analysis for impressionistsgallery.co.uk

http://www.impressionistsgallery.co.uk/artists/abc.html
http://www.impressionistsgallery.co.uk/schools/american.html
http://www.impressionistsgallery.co.uk/previous/news/monet_-_impression,_sunrise.jpg
http://www.impressionistsgallery.co.uk/library/all.html
impressionistsgallery.co.uk

Whois Information

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Domain name:
impressionistsgallery.co.uk

Data validation:
Nominet was able to match the registrant's name and address against a 3rd party data source on 15-Feb-2016

Registrar:
1 & 1 Internet SE [Tag = 1AND1]
URL: https://www.1and1.co.uk

Relevant dates:
Registered on: 10-Jul-2010
Expiry date: 10-Jul-2019
Last updated: 05-Mar-2018

Registration status:
Registered until expiry date.

Name servers:
ns1048.ui-dns.biz
ns1048.ui-dns.com
ns1048.ui-dns.de
ns1048.ui-dns.org

WHOIS lookup made at 02:20:58 30-Aug-2018

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  REFERRER http://www.nominet.org.uk

  REGISTRAR Nominet UK

SERVERS

  SERVER co.uk.whois-servers.net

  ARGS impressionistsgallery.co.uk

  PORT 43

  TYPE domain

DOMAIN

SPONSOR
1 & 1 Internet SE [Tag = 1AND1]
URL: https://www.1and1.co.uk
Relevant dates:

  CREATED 10-Jul-2010

  CHANGED 05-Mar-2018

STATUS
Registered until expiry date.

NSERVER

  NS1048.UI-DNS.BIZ 217.160.81.48

  NS1048.UI-DNS.COM 217.160.82.48

  NS1048.UI-DNS.DE 217.160.80.48

  NS1048.UI-DNS.ORG 217.160.83.48

  NAME impressionistsgallery.co.uk

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2018.
You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at https://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
limits. The data is provided on an 'as-is' basis and may lag behind the
register. Access may be withdrawn or restricted at any time.

  REGISTERED no

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